Rambling with Ewan

The young comrade

The Mass Trespass at Kinder Scout in 1932 is commonly described as the impetus to the subsequent access movement. Yet this mythical event, involving perhaps 400 people and organised by the Young Communists, must be seen against the long history of defending walkers’ rights against bullying landowners, going back to the early 1800s. The subsequent fame of the event may be due to the harsh prison sentences handed out to a few protesters. But one definite outcome was to inspire Ewan MacColl to write his first successful song, The Manchester Rambler:

I’m a rambler, I’m a rambler from Manchester way
I get all me pleasure the hard moorland way
I may be a wageslave on Monday
But I am a free man on Sunday

The right to roam?

Since then the song has become part of the folk repertoire; covered by many musicians such as the Dubliners. Part of its success may be down to the light-hearted approach:

I once loved a maid, a spot welder by trade
She was fair as the Rowan in bloom
And the bloom of her eye watched the blue Moreland sky
I wooed her from April to June
On the day that we should have been married
I went for a ramble instead
For sooner than part from the mountains
I think I would rather be dead

Whatever the truth about the Trespass, this was not the Duke of Devonshire’s finest hour. The owner of tens of thousands of acres of Derbyshire, and these grouse moors in particular, he appears to have encouraged his gamekeepers to rough up the walkers: hardly in keeping with the Cavendish family’s liberal traditions.

Ewan with Peggy

MacColl went on to have a remarkable life, heavily involved in theatre workshops, and marrying Joan Littlewood the theatre director first and later Peggy Seeger, the half-sister of Pete, and had a close working relationship with both. His songs include The First Time Ever I Saw Your Face and Dirty Old Town.

Listen to The Manchester Rambler:

All you ever wanted to know about paths

Jack Cornish is Head of Paths at the Ramblers, which must be an excellent qualification to write on the subject. His recent book, The Lost Paths, sets out to be ‘A History of How We Walk from Here to There’. Ambitious in scope, the 19 chapters include such familiar subjects as pilgrim routes and turnpikes, but also cover topics like the growth of railways and the effects of the new post-war towns on traditional paths. Some of his material, such as the enclosures of the eighteenth and nineteenth centuries, may be familiar to any reader with an interest in history, but other topics, for instance the loss of rights of way due to military requirements during the Second World War, are unusual.

The author has assembled a fascinating range of detail, such as the vogue for ‘pedestrianism’ in the nineteenth century, when large bets were put on improbable feats of walking, such as London to York and back in six days. But his concerns are not only historical, since he discusses the need to make access to the countryside more diverse and welcoming for minority groups. If anything, the reader may feel that he has tried to include too much: it is interesting to know how many bricks were used to build London’s first railway (six million) but not really relevant to the stated theme – there’s a certain loss of focus.

Yet his palette is impressively broad in terms of geography, and Derbyshire readers may enjoy his description of a walk from Cromford to Rowsley via Bonsall Moor, which he undertakes as a recreation of the ‘mystery hikes’ which were apparently popular between the wars – hikers would board a train for an unknown destination:

‘The drama of the landscape hits me quickly. Minutes after stepping off my train, my path takes me along the bottom of a massive cliff face. Trees grow up high, directly out of breaks in the rocks, their leaves rusting and falling to the ground’.

Cornish’s own involvement in the walking he writes about is clear, and he effectively balances these personal reports with the more historical details. He is also good at recounting disputes with landowners over rights of way, and sets the inevitable Kinder trespass story in the wider context of the long-standing struggles for access all over this country.

I would certainly recommend The Lost Paths to all fellow walkers, though with a couple of caveats. The title doesn’t really do justice to the scope of the book, which is much broader than it suggests, and the illustrations – small black and white engravings – add little beyond decoration.