Down Ashover way

Tomb of Thomas and Edith Babington in Ashover church

These unusually colorful figures on the Babington tomb at Ashover are a reminder of a long-distance packhorse route that can be traced as far as Wirksworth to the west. Ashover parish used to be much larger, and included Holloway, Lea and Dethick, the home of the Babingtons. St John’s church at Dethick was built as a private chapel for the manor, but Ashover had to be used for burials. Most of the route can be comfortably walked today; leaving Ashover by the track beside the Old Poet’s Corner pub which drops to a bridge over the Amber, and then provides a steep climb up a remarkably complete stone causeway (below).

Onwards and upwards

‘Causeys’ like this are found all over Derbyshire and are about two feet wide, thus providing a solid surface for horses’ feet at minimal expense. The track continues to climb towards Ravensnest and then meets Holestone Gate Road at the top. From there it’s road walking to the B6014 and along Lickpenny Lane to the Matlock-Alfreton road. At this point a guidestoop can be seen on the verge, dated 1710, marked A+P for Ashover Parish. Wirksworth is one of the directions shown, via Dethick Lane (NB the stoop has been moved from its original position, but not significantly). Dethick Lane is partly a holloway, Cross Lane marks the site of an old cross (only the base remains), and beyond the church the path leads down to a crossing of the Lea Brook on stepping stones, then uphill to cross Hearthstone Lane and down to Cromford Station and bridge.

Looking down the steps at Eastwood Grange

Where did the route go to the east from Ashover? One likely possibility is the footpath which starts beside the Black Swan and runs up through the grounds of Eastwood Grange, today a school but which must have been built in Victorian times as a substantial private villa. The route (even if no longer used by packhorses) was clearly significant enough to be given a well-engineered stone-lined route through the gardens of the Grange, as can be seen above. Beyond this the path continues steeply up to the summit of Farhill, a popular viewpoint at 299 metres, from where Hardwick Hall, Chesterfield and Sheffield can be seen.

Reading the stone

The stone in the north wall of St Mary’s, Wirksworth

The Wirksworth Stone must be one of the most remarkable examples of sculpture from the Saxon era in England. Discovered in 1820 face down, buried under the church floor, it is thought to have been the lid of a sarcophagus belonging to an early saint, possibly Betti. It dates from about 700 CE, and displays a sophisticated iconography which reveals a strong Eastern influence e.g. the use of the Greek cross with equal arms. Perhaps the most interesting question is who produced this work 1,300 years ago, and was it carried here or made on the spot?

St Mary’s in its oval churchyard

Clearly the present thirteenth-century building (above) was not the first on this site; in fact the name of the local river, Ecclesbourne, suggest a very ancient foundation, probably a minster church for the whole wapentake of Wirksworth. Just as churches were built by travelling stone masons we can assume that sculpture like this was the work of itinerant artists, who would also produce crosses like those at Bradbourne and Eyam. It is claimed that the Wirksworth stone shows the work of two masons, the one responsible for the lower half being more skilled than his (or her) workmate. Although overall the workmanship is somewhat crude, the scenes portrayed cover the whole range of Christian teaching.

The ascent of Christ, in mandala (detail)

The left hand side of the stone has been broken off, so originally there were ten scenes but now only eight are visible. It appears that the stone should be read vertically, top to bottom, rather than left to right like a modern comic strip. So the top left scene shows Christ washing the feet of the disciples, and the one below the Harrowing of Hell, when the crucified Christ is supposed to have descended into Hades. The next pair are clearly the Crucifixion (with four evangelists) paired with the Ascension below. The third scene on the top represents the death of the Virgin, and below this the Annunciation is shown, with Mary seated. The final scene on top is the Presentation of the infant Christ in the temple, and under this the disciples prepare for their preaching mission (note the figure in the boat). Overall, and assuming the missing section showed the Nativity and the Baptism of Christ, the whole panel presents a remarkable statement of fundamental Christian beliefs. The position of Wirksworth on the Derbyshire Portway reinforces the theory that this was the work of travelling craftsmen, bringing the essentials of their religion in pictorial form to the (presumably) illiterate of the Peak.

Highways and Byways in Derbyshire – a good read

My somewhat battered copy

Macmillan published the first book in their Highways and Byways series in 1898 and, remarkably, the last in 1948; a total of nearly 40 titles covering most of Britain. All are detailed guides with plentiful illustrations by respected illustrators. Well-bound in hard covers with gilt lettering, the series must have been popular as copies can still be bought quite cheaply from second-hand sources. The volume on Derbyshire was quite early, in 1905, written by JB Firth and illustrated by Nelly Erichsen, who was from a Danish family.

An inviting title page

The author, unusually, writes from the viewpoint of a walker, so that the reader can follow his progress in detail, which is especially interesting if the reader knows an area well. Clearly there are many changes to the scenery 120 years later; for instance at Ambergate then-triangular station: ‘the station becomes simply a hideous deformity, and the adjoining kilns of Bullbridge throw up fleecy masses of white clouded smoke’. In Edwardian fashion there are many digressions in the form of stories of famous folk who have lived locally, and Firth is not afraid of copious quotations of poetry, but these rather add to the book’s charm.

Another value of the book is the recording of otherwise lost data. For example, the footpath that runs uphill from Pentrich mill to Pentrich church (see map above) is today simply a field path. but in the 1900s was clearly more: ‘This broad track used to bear the name of Deadman’s Lane, not from any relics which have been found there but because by this way dead men were borne to their last resting place in Pentrich churchyard‘. Firth also says that higher up, near the church, the line of the Roman road, Ryknild Street, was still marked with hedges.