Searching for St Alkmund

His stone sarcophagus?

Few people outside the Midlands have heard of this Saxon saint, but in Derbyshire he is commemorated by two churches, a well and a street, besides being the patron saint of the city of Derby. As with many saints from the Saxon period it is hard to sort the legends from the facts, but apparently he was King of Northumbria in the late eighth century until he was forced to flee south into Mercia when a rival branch of his family took the throne. He was murdered by Northumbrian agents about 800 CE and buried in Shropshire, after which a cult grew up around his name due to his reputation for acts of charity.

St Alkmund’s Well in Well Street

His remains were removed to Derby in 1140 and reburied in the church dedicated to him, which had a Saxon foundation, near the modern Jury’s Inn hotel. This church was re-built in the mid-nineteenth century but demolished in 1968 as part of Derby’s inner ring road development. A stone plaque marks the site today. The only positive aspect of this piece of urban vandalism (widely criticised at the time) was the discovery of what is believed to be St Alkmund’s stone sarcophagus, a fine piece of Anglo-Saxon stone carving, now in Derby museum. We must assume that this was brought from Shropshire, along with the saint’s remains, in the twelfth century, though this must have been a difficult operation, weighing as it does about a ton. The most likely route would have been by river, as the church was only two hundred yards from the Derwent. Not far away from the church, at the bottom of Well Street, which runs off North Parade, is St Alkmund’s Well. Now protected by iron railings, this had a rural setting until the early nineteenth century as it was in St Helen’s park. Today it must be one of the few holy wells in an urban setting, and was at one time the focus of church procession and well dressing.

Early postcard of St Alkmund’s Duffield

St Alkmund’s in Derby was conveniently near Ryknield Street, the old Roman road, which would have allowed regional pilgrims to travel to the shrine, while only a few miles north is another church with the same rare dedication, at Duffield. Here the church is sited curiously detached from the town and close to the river. Although the present church building is post-Conquest, this must have been a Saxon foundation in what was originally a very large parish. It is thought that the church’s siting may have been due to the use of the Derwent for baptism, although this has also led to severe and quite regular flooding of the building.

Hemlocked

The Hemlock Stone

The Hemlock Stone on Stapleford Hill west of Nottingham is a sandstone pillar about five metres high, set in parkland. The name suggests that it may have acted as a boundary marker between Derbyshire and Nottinghamshire, and it is found near the Portway’s crossing of the Erewash (the county boundary). It seems to have had more significance in the past, with eighteenth-century references to its use for Beltane celebrations, and was famous enough for DH Lawrence to include it in Sons and Lovers as the destination for an Easter walk.

A barefoot Lawrence at the University of Nottingham

The walk from Eastwood to the Hemlock Stone had actually taken place in 1905, organised by Lawrence for his family and friends. Beginning in the town, the original route is now difficult to follow due to the construction of the A610 on the line of the old railway, but the walking party first crossed the semi-derelict Nottingham Canal, then the Erewash, and thirdly the Erewash Canal, soon coming to a footbridge over the Midland mainline railway, whose express trains linked Eastwood and Langley Mill to London. The party next joined the Heanor-Ilkeston road and followed this through Ilkeston, a town Lawrence knew from his teacher training. Their route then turned towards Stapleford: today mostly built up but following pleasant country lanes a hundred years ago. It is interesting that the Stone was seen as a significant destination, worth a fourteen-mile walk (at least), and was clearly a popular spot:

‘Everywhere in the field below, factory girls and lads were eating lunch or sporting about’.

Jessie Chambers, the model for Miriam Leivers

In the novel the importance of this walk is the emerging love between the hero, Paul Morel, and Miriam, the girl from Haggs Farm (a thinly-disguised Lawrence and Jessie Chambers). Both felt rather alienated from the rest of the party, who were inclined to climb the Stone and carve their names there. On the way home they both fell behind the others, Lawrence struggling to repair an umbrella, and their mutual sympathy developed into a complicated affair which dominates the first half of Sons and Lovers and has become a classic of teenage angst.