Arnold Bennett’s masterpiece, The Old Wives’ Tale, published in 1908, is set in the mid-nineteenth century, and tells the contrasting stories of two sisters, Sophia and Constance. The latter spends her life running the family drapers’ shop in Stoke on Trent, while her sister has a more adventurous life in Paris. When Constance marries, Buxton is chosen for their honeymoon, a relatively short ride on the then North Staffordshire Railway:

“They had a way of saying: ‘Yes, we always go to Buxton. We went there for our honeymoon, you know.” They had become confirmed Buxtonites, with views concerning St Anne’s Terrace, the Broad Walk and Peel’s Cavern. They could not dream of deserting their Buxton. It was the sole possible resort. Was it not the highest town in England? Well, then!

Bennett, who was a francophile and had lived in France since 1903, was clearly being satirical at the expense of these provincial folk:

“They always stayed at the same lodgings, and grew to be special favourites of the landlady, who whispered of them to all her other guests as having come to her house for their honeymoon, and as never missing a year, and as being most respectable, superior people in quite a large way of business. Each year they walked out of Buxton station behind their luggage on a truck, full of joy and pride because they knew all the landmarks, and the lie of all the streets, and which were the best shops.”

However, any holiday would be a luxury for working people in the 1870s, and ten days in Buxton would demonstrate that Mr and Mrs Povey were prosperous folk. The spa waters of the town have attracted visitors since Roman times (and probably earlier), though tourists in the eighteenth century frequently complained of the quality of accommodation. It was not until the Dukes of Devonshire made serious investments, such as building The Crescent, and the arrival of the railway in 1863, that large number of visitors began arriving. Today a rejuvenated town still attracts holidaymakers, although unfortunately the excellent Museum and Art Gallery has been closed indefinitely due to the discovery of dry rot.